Colour Information and Spectral Charts for LEE Lighting Filters. Rose Purple. Good for emulating evening. Great backlight. 7. Deep Purple. Used in musical performances for general colour washes and set lighting. Medium Purple. A strong cheerful glow, good for cycloramas and pantomimes. Mauve. Good for backlighting. Dark magenta purple adds drama and mood. Chrysalis Pink. A new deeper lavender with a dash of rose blusher. Provence. Colour of the Lavender fields of the south of France. A redder version of 1. Fuchsia Pink. Good for musicals, pantomimes and sultry scenes. Cold Lavender. A colour that would be great for front key lighting and that works well with 1. Pale Gold. 0. 52. Light Lavender. Good for general areas and side lights. Great for a basic followspot colour as well as an excellent backlight. Lily. A cool lavender with little red content. Good for romantic evening exteriors. Deep Lavender. Great for set lighting, discos and theatres. Pale Lavender. Great for pantomimes and ballroom sets. Also enhances dark skin tones in follow spots. Lilac Tint. A pale lavender. Good for almost white light with a cool tint. Special Pale Lavender. Cold lavender with a full tungsten source, but warms as the source is dimmed. Good as a fill for slow sunset fades. Special Lavender. Good for moonlight and musical romantic scenes. Enhances skin tones. Surprise Pink. Good for musicals. Lavender. An excellent backlight that creates a new dimension. Dark Lavender. A pleasing effect for theatrical lighting and backlighting. Sims 3 Aurora Skies Gold DownloadSims 3 Aurora Skies GoldSpecial Medium Lavender. Good for theatre and T. V. effect lighting and backlighting. Perfect Lavender. In between 1. 70 Deep Lavender and 3. Fuchsia Pink, and is good for backlighting and romantic atmospheres. Congo Blue. Looks like black light when used with a fluorescent source. Great effect colour. Very saturated. 7. Ultimate Violet. Used in musical performances for general colour washes and set lighting. King Fals Lavender. A cold lavender. 7. Electric Lilac. Provides good colour rendering which creates a sharp edge, adding a touch of drama. Pale Violet. Great Moonlight effect. Good for cyclorama lighting and highlighting foliage on plants. Regal Blue. A deep lavender blue that strongly enhances skin tones. Midnight Maya. A rich, sultry blue. Like Congo Blue, but greater light transmission so maintenance friendly fewer gel changes. Special KH Lavender. A deep lavender that brings out the UV. Tokyo Blue. A deep blue, used for midnight scenes and cyclorama lighting. Aurora Skies Gold' title='Aurora Skies Gold' />J. Winter Blue. Very dark blue with high UV content. Good in high concentrations for a moody and powerful stage colour wash. Spir Special Blue. A cool industrial blue. Palace Blue. Good for dark moonlight or a romantic evening. Maleficent is an evil fairy and the main antagonist of Disneys 1959 animated feature film. Explore a landscape where all youre really required to do is be yourself. Under the subdued sky of Midnight Hollow, its the residents that really shine. Ecce. Mikkel Blue. A romantic blue to produce a night effect. Zenith Blue. Creates a good moonlight effect on a dark set. Also good for cycloramas. Cabana Blue. A deep blue that still has enough transmission to work encouragingly well on television. Virgin Blue. This is a pure blue, not too green and not too lavender, yet still feels warm for a blue with an early morning feel. Berry Blue. Used in musical performances for rear colour wash or set lighting. 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Good for back and side lighting. Dark Blue. Good for mood effects created by backlighting and side lighting. Creates great contrast. Bray Blue. A purer blue with very little red in it. Just Blue. A good colour mixing blue. Great for cyclorama lighting. Elysian Blue. A new deeper version of Alice Blue. Evening Blue. Good for night scenes and romantic moonlight. Argent Blue. LSIs Silver Anniversary colour. Great for a foreboding cold winters night, but useful for general illuminance too. Alice Blue. Great for cyclorama lighting and creating deep blue skies cyclorama cycloramas. Bedford Blue. A smoky warm blue. Good for skin tones. Double CTBConverts tungsten 3. K to daylight 2. K. Colour Wash Blue. To allow low intensity tungsten to hold a coldblue feel. Cold Blue. Coldgrey HMI effect from a tungsten source. Will also help blend the light when using both tungsten and HMI sources. Double New Colour Blue. The strongest of the NCB series for dramatic white face and key light where warmer tones than CTB are required. New Colour Blue Robertson BlueAn alternative to the CTB series with warmer tones and a lesser green cast for face and key light. Cool Lavender. For use as a warmer tint without turning yellow and to recreate the colour of fluorescent lighting. Paler Lavender. A subtle cool wash. Half New Colour Blue. A lighter correction in the NCB series. Quarter New Colour Blue. The lightest correction in the NCB series. Quarter CTBConverts tungsten 3. K to daylight 3. K. Arctic White. Bright, brilliant blue grey light at 1. It does not warm up as it dims and is not affected by amber drift. Silver. Silver grey light at full power, dims through lavender grey then warm brown grey. Works well with 5. ALD Gold. 0. 61. Mist Blue. A cool wash good for night scenes. Pale Blue. Cool front light wash, good for creating an overcast look for cold weather. Half CTBConverts tungsten 3. K to daylight 4. K. Three Quarter CTBConverts tungsten to daylight. Full CTBConverts tungsten 3. K to photographic daylight 5. K. 2. 83. One and a Half CTBConverts tungsten 3. Manual De Electricidad De Motos Gratis Pdf there. K to daylight 8. K. Cornflower. Great for pale moonlight and seasonal mood lighting. Dark Steel Blue. Great for set lighting. Creates good moonlight shadows. Slate Blue. A pure medium blue. Good for skies, moonlight and dusk effects. Sky Blue. Good for morning skin tones and night skies. Great for cyclorama lights. Medium Blue. Deep moonlight. Great for colour mixing. Daylight Blue. Great for moonlight effect. Glacier Blue. A cold blue, good for cool atmospheric mood setting. Pale Navy Blue. Great moonlight night effect. True Blue. Great for moonlight effect. QFD Blue. A special version of 7. Scuba Blue which is good for backlighting and swimming pool effects. Bright Blue. Very dramatic when used as moonlight. Moonlight Blue. Good for moonlight effect and cycloramas. Light Blue. A strong night effect. Ocean Blue. Useful at low levels of light. Good for dull skies and moonlight. No Colour Blue. A clean blue with hints of green. Good for moonlight and sidelight. Old Steel Blue. Cool wash, useful for highlights. Steel Blue. Good for cool washes. Adds a pale green tint. Great for emulating icy weather on stage. Summer Blue. Good for light midday sky. Light blue tinted wash. Lighter Blue. Good for daylight effects. Lagoon Blue. A floodlit warm wash. Great for underwater scenes and ballet. Special Steel Blue. A cooling blue green wash for stage and set lighting. Scuba Blue. Used in musical performances for a rear colour wash or set lighting. Medium Blue Green. A pleasing effect for theatrical lighting. Peacock Blue. A pleasing effect on set Good for cyclorama and backlighting e. Forest Green. A deep green for sinister forest scenes, cycloramas and backlighting. Dark Green. Good for cycloramas and backlighting. Velvet Green. A beautiful background colour. Victorian melodrama. A night time green. Jade. Used for underwater scenes, cycloramas and backlighting. Soft Green. A cool green used for gobo cover, pantomimes and cycloramas. Marine Blue. Good for romantic moonlight. Often used in ballet and underwater scenes. LEE Fluorescent Green.